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07/ 3/2008

An Oral History of the Internet

internet-map.gif The crazy, messy story of the birth and nurturing of the internet.

"This year marks the 50th anniversary of an extraordinary moment. In 1958 the United States government set up a special unit, the Advanced Research Projects Agency (ARPA), to help jump-start new efforts in science and technology. This was the agency that would nurture the Internet."

http://www.vanityfair.com/culture/features/2008/07/internet200807

Sandy Marsh

06/22/2008

Final Report from Cannes Lions 2008

fireworks.jpg Weather: Oven-like
Energy Levels: Running on empty
Mental State: Sleep mode

Last night was the Film, Titanium and Integrated awards show and the Closing Gala. While HBO Voyeur continued to make waves, it was Halo 3 "Believe" that took both the Integrated Grand Prix and a Film Grand Prix. In an unprecedented and questionable move, the Film Jury also awarded a second Film Grand Prix to Cadbury's "Gorilla" viral video because, as Jury President Craig Davis explained, they couldn't decide between the two. Really?? One is a piece of art that redefined its category, the other is a guy in a gorilla suit playing drums with a punchline that warrants a single viewing. Oh well...

The Titanium Grand Prix, on the other hand, was a welcome surprise for us. To channel Bill Murray, the kids from nowhere...from just outside of Tokyo...tears in their eyes I guess...the two guys from Projector Tokyo took home their second Grand Prix of the week for Uniqlock. Hooray for widgets with dancing Japanese girls!

Now we're heading back where we hope to bring home some of the magic...and by "magic" we mean the food from Chez Vincent et Nicholas.

Conor Brady + Sam Cannon

06/20/2008

Report from Cannes Lions: Day 5

lionkiller.jpg Weather: See Days 2-4
Energy Levels: Hanging on
Mental State: Distracted

We attended the farfar workshop this afternoon entitled "The Story Is The Campaign Is The Story." They showed some of their impressive work (and some from others) and dissected the elements of success and failure. Speaking of the latter, as a live demonstration, Jon and Erik unveiled a makeshift website they'd created especially for the workshop called 10,000 Killers. The premise: A giant rock would drop on one of farfar's Cannes Lions if the site gets 10,000 visits. A web cam monitored the precariously placed Lion. Within an hour, the site surpassed 10,000 but no destruction. An hour or so later, they posted a YouTube vid of the rock dropping (the web cam still stuck on the pre-drop) but none of the aftermath, leading many of us to suspect post-production trickery, lawyers, or both. What's up? Not sure, but farfar's procress includes a step called "Apologize" -- so we're sure this isn't the first time things haven't gone as planned...

We also screened the Titanium and Integrated finalists today. After predicting 2 of 3 Cyber Lions Grand Prix winners off the record, we're going on the record with our predictions for tomorrow night. Here goes...
Conor's Pick for Titanium Grand Prix: Halo 3 "Believe" or NYC Dept. of Education "Million"
Conor's Pick for Integrated Grand Prix: HBO "Voyeur"

Sam's Pick for Titanium Grand Prix: Taxi "15 Below" or NYC Dept. of Education "Million"
Sam's Pick for Integrated Grand Prix: HBO "Voyeur"

Conor Brady + Sam Cannon

06/19/2008

Report from Cannes Lions 2008: Day 3

cannes31.jpg Weather: Azur
Energy Levels: Medium Rare
Mental State: Overstimulated

Our workshop took place yesterday afternoon at the Palais de Festival. Everyone seemed to have fun -- apart from those who were hoping to sleep in a dark, air-conditioned room for a couple hours, or those who were turned away due to room capacity. We discussed why we care so much about empathy-based insight, walked through some work, talked about Camp Organic, and then an intrepid 35 or so attendees stuck around to do a mini-Camp O. The results were really impressive given the fact that "mini" meant 1 hour. To see more, visit Camp Cannes, our workshop blog.

Also, last night was the Cyber Lions ceremony. It was nice to see some of our favorite non-Organic work get represented, with Grand Prix awards going to the Uniqlock and Sol Comments campaigns. It was also nice to see our friend and former CCO Colleen DeCourcy finally unwind after a grueling week as Cyber Lions Jury President. (Nice job, Colleen!)

By comparison, Thursday should be a bit more relaxed. We'll see...

Conor Brady + Sam Cannon

Art of the Title Sequence

napoleon.jpg This site is a compendium of fantastic opening and closing sequences to movies and tv shows.  I just stumbled on it, but I'm glad I did.  An astounding source of inspiration for motion graphics.

http://www.artofthetitle.com/

Slick.

Phil Garwood

06/18/2008

Report from Cannes Lions 2008: Day 2

workshop1.jpg Day: Tuesday, June 17
Weather: Crispy, with bursts of rain
Energy Levels: High (though Conor has a head cold from riding too much)
Mental State: Curious

Yesterday was the big registration day, with most of the attendants rolling into town. So today is the first day proper with all of the media, talks, seminars, kicking in. The awards part is in full swing as well -- they handed out awards last night for Direct and Promo. No idea how any of that went, though, as we have been holed up preparing for our workshop this afternoon. It will be about Camp Organic on the road; we're bringing it to the masses. Hopefully people who attend will take the idea of workshop as literally as we are: "work" = you will be expected to do something, and "shop" = come together as a group, not buy Chanel (very popular in these parts). We will be filming and posting, so keep on the lookout. We will report in tomorrow on how the workshop went, media and what we are seeing that is exciting. Let the games begin...

Conor Brady + Sam Cannon

05/16/2008

Muto

muto.png The musky scent of truly determined and inspired work just radiates from this one. Sit back and enjoy.

http://www.blublu.org/sito/video/muto.htm

Nick Sternberg

05/ 7/2008

My Sunday with Kevin Kelly, or The New Visuality, Data Storage and the Future of Human Knowledge Transfer

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Last Sunday, I did a most unlikely thing. I went to see someone deliver a PowerPoint presentation. On a Sunday. And it wasn't raining. Usually, a sunny Sunday in San Francisco is not something to be trifled with, but at the urging of a friend I went to watch the keynote address for this year's San Francisco International Film Festival. The guest of honor was noted futurecaster and big-picture technology thinker of considerable esteem, Kevin Kelly.

Kelly is probably most well known as the founder of Wired magazine. But there are a lot of Internet-cred activities in his history. He said that he's been online since way back in 1981. As such, he was instrumental in founding The WELL, one of the earliest online communities. Another large part of his mystique is related to the fact that Andy and Larry Wachowski made his book, Out of Control: The New Biology of Machines, Social Systems, and the Economic World, a required read for all of the actors in the original Matrix film. Apparently, Kevin is also quite a fan of documentary filmmaking and one of his many blogs is devoted to this topic alone. Presumably, this would be why he was invited to speak at a film festival. The other eight blogs (!) cover off on all of his primary fields of expertise and interest, as well as the assorted personal factoids.

Nonetheless, the real meat of this here post was supposed to be his "State of the Cinema" address. And in keeping true to form, he let loose a big, honking idea on the assembled. And this thesis was a thought-provoking one. Essentially, it is thus: humanity is at a profound moment, a moment that will be defined by the migration of our written tradition to a video-based record-keeping and knowledge-transfer system. With a future that is being built right now, we will have a searchable inventory of untold billions of still and moving images. These will catalogue in some considerable detail the singular enormity of human life on this planet and its myriad interests. Much as our computers--and ourselves--already function as honey bees in a hive, our new and emergent capabilities with video become will relate our experiences as a giant digital-video tapestry, one that we all add a few stitches to. As this happens, we will concurrently also be developing a more efficient method for sharing the aggregated knowledge of humanity.

This is not unprecedented. Some hundreds of years back, human knowledge transfer went through a profound shift from an oral tradition to a written one, from "orality" to "literacy," as he would have it. This transition period was accelerated dramatically by the invention of the printing press. It was also expanded systematically over the years. This great epoch is currently reaching its fulcrum of utility with the seemingly infinite search and storage capacities afforded by the Internet. But this capacity is also one of the primary drivers in the shift Kelly is predicting. Given that the search, storage and distribution functionality of the Internet is now paired with the inherent profundity of literally billions of cameras photographing so much of our world so often, we will all essentially be working on the discrete components of one giant flippin' movie. Or, as Kelly put it in a related interview.

"I'd say we're in the Gutenberg shift; that is, a shift of a similar scale as was the transfer from oral culture to a literate culture based around text, and now we're going from that to this culture based around moving images. Which has been happening for a while, but now it has been accelerated with new levels of tools. We're going from being the People of the Book to being the People of the Screen."

This begs an obvious, but tough, question. And for once I was glad to hear someone other than myself stand up and ask it. If we are migrating our history and traditions to video, then what concurrent effect will this shift have on humanity? Moreover, is this shift even a good idea? We can look backwards and see that the printing press led directly to a period of such radical knowledge expansion that it is known simply as The Enlightenment. But we cannot look forward and see with clarity whether a shift to video will have a similar effect. Or if it will turn us all into future-world Beavis and Butthead clones. What we do know? We know that books (and reading) work as a means of accurately relating large-scale truism. We know that video also can work in this capacity. But we also know that we don't always demonstrate a tendency to use it for the highest and best goals of humanity. Ultimately, our experience with video is still too new, and our tools too primitive, to consider our video-driven future and to know how that experience will change the way we use our brains.

Mr. Kelly didn't pretend to know the answer to that one either, but he did mention that there were pre-enlightenment scholars who lamented the loss of the oral tradition. That these fine folk felt--and perhaps with some degree of accuracy--that there was a nobility to the spoken word. Being a good storyteller and communicator was an essential tool of scholarship. Moreover, they lamented that this oral capability would slowly die off if the written word was elevated to the top slot. Nonetheless, even with this history to consider, we can only wait and see how the next great shift changes the landscape of written language as we currently know and use it. Moreover we can only wait and see where this transition takes the whole of humanity.

I do, eventually, want a Holodeck though.

Daniel Turman

PS. Strange, but given that there was a videographer recording the whole presentation, and given that it was Kevin Kelly, and given that he was talking about this idea of emergent visuality, is it really too much to expect that someone is his camp would have uploaded at least an excerpt to YouTube or one of his nine blogs already?

04/ 2/2008

Storytelling, six words at a time

smithmag.jpg


Legend has it that Hemingway was challenged to write a story in only six words.

His response? "For sale: baby shoes, never worn."

In 2006 SMITH magazine teamed with Twitter for a six-word memoir contest. The response was huge, and led to a book that was released in February 2008.

Here are a few examples of the amazingly vivid and insightful stories that can be told with six words:

"Nobody cared, then they did. Why?"
"Fifteen years since last professional haircut."
"I still make coffee for two."
"I'm ten, and have an attitude."

See more here.

Heather Dunphy