12/16/2009

Slow Media: Miracle Cure or Fad Diet?

awesome_sloth.jpgImage Credit: estacey [Flickr]
Maybe you won't have time to read this entire post.

Once you christen something as a "movement," somehow it's more legitimate. It instantly becomes something that can be debated, passed along, and adopted. For me in the case of Slow Media, this was a particularly exciting addition to an already crowded Slow movement.

Most sources point to the Slow movement starting with a protest against the opening of a McDonald's restaurant in Rome in 1986, and the founding of the Slow Food organization as a result. Soon added to the club were Design, Cities, Schools, Money, Travel, and the list goes on. So when looking at all things Slow, it starts to feel like the idea is quite simply "Slow World." While the educational value and cultural shifts are already apparent, the larger the Slow concept becomes, the less it feels like an activated movement for change.

That's why I like Slow Media. The naming of these ideas consolidates a wide swath of technological, cultural, philosophical and spiritual debates into a more digestible concept that is expressly personal to a large amount of people living in the first world, and more importantly it speaks directly to the creators and purveyors of the content and channels we experience every day.

The stated goal of the Slow movement in general is "to address the issue of 'time poverty' through making connections," which for Slow Media is a perfect fit.

Slow media is largely about technology, encompassing arguments that have mostly been classified as nostalgic, such as vinyl vs. digital audio. But it's not just about mediums; it's about response time in communication, such as writing letters on paper vs. email. The speed of access to information changes the standard for knowledge, and leads to a culture that feels an obligation to expertise. We are teaching people to be shy about asking verbal questions in the age of Google. The traditional academic culture finds itself questioning its relevance. Expectations change, the basest kinds of cognition change. Social skills and the oldest of social contracts change, everything changes. Sigh.

So what's the problem? Just "roll with it," right? Most of this could be cast as a much-needed overhaul of the way we think and interact. The positive impacts of technology can be weighed against the negative, but the idea of Slow Media isn't really a global condemnation of technology, as much as it is a long overdue exploration of the human consequences. And in an era where the response seems to be that nothing can be done to change the way we communicate and ingest media, you'd assume the technology is predestined to accelerate the culture, with results that are out of our control. Transhumanists please forgive me, but there's another way.

So many of the specific human consequences of Fast Media are fairly well known, with much being written and researched in the context of social skills, mental health, global culture. And it's an ongoing debate that reaches all aspect of politics and culture from genetic ethics to prison reform. What isn't talked about as often are the "X factors" of human development, the unseen neural pathways and vestigial functions of human consciousness. The reason we don't talk about it is that much of it remains theoretical, and it's difficult to pin down a cause to an effect.

One interesting way to think about Slow Media is to ask the question "How much of what we've lost can be replaced?" how many of the systems we've developed over a 5 million year development cycle were working in concert with the world we experienced before technology? Is there a reason that some of us are finding it hard to live simple and full lives in the new framework, or is it simply a trait which leads to an inability to adapt, which some would argue sets us up to be selected out? We are not Luddites, we are not techno-terrorists. We simply want to be happy. Maybe we do need to be selected out (of the culture). But that doesn't mean we won't reproduce...

Forget big, intimidating problems of global responsibility and think of it as a personal health crisis. And then, if you will, think of how a health crisis can be monetized. Picture entire Slow communities, safe zones, sub-networks that practice the idea of Slow in general. Picture the brands that see experience through this lens. How can they use Slow Media to sell you a paradigm shift? Will your phone really always be the first thing you see in the morning, that last thing you see at night? It helps you remember, and it helps you forget? It's the thing you depend on most? Seriously? How true is this right now? More importantly, do you want it to be true?

*For an interesting take on this subject and the Western worldview, check out The Spell of the Sensuous, by David Abram.

Nick Sternberg

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Comments (3)

Isn't "slow media" just one coping mechanism for information overload? Me thinks content curation (vs. aggregation) will be one of the next big developments in media - and a better coping strategy.

Here’s an interesting and timely article/debate on whether technology has turned us into digital zombies disconnected from the physical world or worldly butterflies more socially/intellectually connected, even if only remotely.

When I think of digital zombies, I think of that guy wearing the bluetooth headset seemingly talking to himself and bumping carelessly into me as he passes by; or the women sitting with friends at a restaurant while talking to her more important friend on her cell about the color she plans to paint her toenails later that night; or movie-texters! You know the girl – the one that lights up the whole theater with her phone while she texts her BFF sitting in the next row that Taylor Lautner once again took off his shirt - then later gets clobbered in the melon with a Raisinette by, um, some blonde women (to remain nameless) sitting behind her wondering why she paid to see New Moon in the first place.

Worldly butterflies seem a lot more appealing. In a perfect world (a world we have a bit of power to create, given our collective talents), we’d use technology as a way to reach people and places in the physical world more readily; and a way to stay connected during in-between visits. We already have a lot of the right tools and most of the technology, we just need to use them appropriately. And maybe we need to help the zombies sort through the digital muck – not so much for their own sake, but for the sake of our collective evolutionary progression.

Yes, technology allows me to connect with more people, simultaneously sometimes, but more superficially as well. I’m not naturally a “connector”. I think anything that makes it easier to connect superficially and makes me lazier at trying to connect on a deeper level is counter-productive to my growth as a human being. So, on a personal level, it’s all about the judicious use of technology and the self-discipline and human consideration to know when to walk up to someone and shake their hand, have a face-to-face conversation, smile, etc. I’m sure I’m not the only one.

And, if I’m not the only one, the direction I’d like to take humanity is that of thoughtful interpersonal connection and mutual consideration – whether through technology or otherwise.

Now, I'm off to go deliver a smile... in person. Hopefully, the person on the receiving end will take a moment to look up from their iPhone to accept it.

Nick Sternberg:

I strongly agree that it's one of many ways to think about content curation and a way to start devising a coping strategy. Outside of distributed media, I always wonder if we need a little help "coping" with the personal communication we sustain with each other. I think the assumption is that it's either up to the individual to be strictly disciplined, or left to the latest Facebook filters/settings. I love the idea of a strategy, because I simply don't believe it's realistic to expect generations of young and old to learn this kind of discipline (sometimes the hard way) and adapt happily as a result.

Seems that the issue is becoming progressively deeper than "if you don't like TV, then don't turn it on"...

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