Via BBC News: "Microsoft has now released, in beta form, its long-awaited WorldWide Telescope, a free tool that pieces together some of the world's best ground telescope and satellite images, using data and imagery from NASA's Hubble and Spitzer telescopes and the Chandra X-Ray Observatory, among others. The tool allows users to pan and zoom around the planets and view anything from distant galaxies to exploding stars. It also features guided tours from some of the world's top astronomers"
For amateur astronomers like myself, this is a great tool to travel around the solar system and beyond. The best part is I don't have to shell out $20MM to the Russian Space program to experience it, yet I can get the benefit of billions of dollars of technology all on my computer.
I could not find any remnants of the Apollo missions on the moon, so perhaps the conspiracy of the lunar landing being completed in a studio, may yet live on.....
http://www.worldwidetelescope.org
Vito Greto
Since its entrance into popular culture, the internet has always worked to empower consumers, just by the innate nature of the medium. The wealth of data and improved tools to access that data gave consumers access to information more efficiently than they ever had before. Web 2.0 introduced a new culture of passionate empowered consumers. Their desire was to not only extract value from the internet, but to contribute to an ongoing dialogue with other like-minded consumers. More recently, those conversations have extended beyond user to user, and consumers are able to collaborate directly with the brands they are passionate about.
Consumer collaboration is one of the booming social sectors of the year with numerous branded collaboration tools launching daily. Dell's IdeaStorm and My Starbucks Idea are commonly used examples of how consumers can help influence product or service improvements. But, the more comprehensive list of brands involved in crowdsourcing and "white label" social networks is immense. In fact, the list is probably far shorter for brands not currently involved or planning to become involved in some form of consumer collaboration.
Brands are not just collaborating with consumers to gain insights for product improvements. Forrester has broken common objectives into 5 specific categories. Brands are using online communities to listen, to talk, to energize advocates, to support customers, and to embrace consumer ideas. Recent brands to "energize advocates" include SeaWorld and Nike. SeaWorld nurtured rollercoaster enthusiasts with rich video content and Nike featured a top community member in a commercial.
With such a huge growth in consumer collaboration tools, it was just a matter of time before the free, "create your own My Starbucks Idea" tool came forward. Enter UserVoice:
"UserVoice is a way to harness the innovation and ideas of customers and potential customers. It's a way to improve the signal-to-noise of user opinion, and to moderate the ideas of one against the opinions of the many. It's Satisfaction meets Digg. It's focus groups for companies that can't afford focus groups."
Although UserVoice hasn't been put to the enterprise level traffic challenge, it does offer much in the way of simplicity and integration into other useful tools, such as Google Analytics. The clean design is reminiscent of a 37Signals product, which makes the learning curve pretty manageable. This makes it an attractive solution for many companies with or without a product, who might not have otherwise got into consumer collaboration. One example is Jeremiah Owyang, who is using UserVoice to take suggestions on how to improve his blog.
This is just further proof that it is a great time to be a consumer. Whether it is big brands using robust collaboration tools with large communities or micro-niche brands engaging smaller groups in a more intimate conversation, there seems to be a movement on all fronts to truly give every consumer a voice.
Marta Strickland
For some time now, there has been rumor of an "affordable" Ferrari. Affordable, as in you'll only have to sell one of your children on the black market to pay for it instead of the usual two children. Other than that, details have been a bit sketchy. There were some fake drawings a while back. Spy shots have trickled in. A video or two. But now things are firming up. It now appears that the vehicle will be christened with the alpha-numeric and sufficiently Ferrari-esque handle F149. It's also called the "GT" sometimes. It's expected to share its platform and significant chunks of running gear with similar grand tourers from Alfa Romeo and Maserati. Since all are owned by FIAT, it doesn't surprise me that there's a bit of badge engineering going on. It's just not that often that you see it happening so transparently at the supercar level. To that end, the debate has been raging as to whether this particular car devalues the Ferrari brand. Presumably, some of that debate has to do with who the consumers of same will be. Personally, building a car that some of us could one day hope to own doesn't seem like devaluation of the brand to me. Frankly, more harm is probably being done by the Ferrari theme park in Dubai, the hideous Ferrari-edition Acer laptop or the partying ways of F1 piloti Kimi Raikonnen. But then again, perhaps I am but an aspirant proletarian who doesn't understand his place in the world.
Moreover, I'm sure that some would say that I don't understand luxury goods either if I don't think that they can be devalued by merely falling into the wrong hands. And surely I remember getting into a rather spirited thrash a while back with a former Organic about whether or not rapper Jay-Z (net worth $400M) was damaging the Cristal nameplate by giving the brand hundreds of millions of dollars in free advertising by way of song. But I digress. This is an interesting one. Ferrari, at its core is supposed to be about the red-blooded passion of performance motoring. Which does more to reinforce that credo? Having hopelessly undertrained douchebag multimillionaires buy them as museum pieces or worse still, wreck them? Or, letting them collect a few paint chips on track days and backroads blasts. I say let the masses have a turn already. Or at least the top-earning one-tenth of one percent of the masses.
It will likely still be more than a couple of ticks too far into the Robin Leach zone for my wallet (once pricing is revealed), but just the same, one can dream, right? Indeed one can. As a visit to this URL proves.
The good folks in Maranello, as well as their digital agency of record, seem to have an absolutely perfect understanding of one of the core attributes of their brand that inspires these dreams: sound. From the early V12s of the '50s to the as-yet unreleased F149 GT, sound is something that Ferraristi prize. So, when building a teaser site for an unreleased vehicle, how brilliant is this? Virtually no pictures. But virtually the full range of engine noises. From startup to test track, there's some serious rip and snort. And most importantly, they are sound waves befitting the prancing horse. I also love the old-school Oscilloscope sound wave thingy. And the picture of the trunk lid. That countdown clock is an ominous signal to the bank balances of underfunded dreamers worldwide, but Ferrari gets some props for seeing the wisdom in putting product a little closer to the dreamscape of gearheads everywhere.
Daniel Turman
Crackberry.com has purchased a currently unreleased version of the Blackberry - the 9000.
RIM has given the Blackberry a huge facelift - the user interface is a slick black with white icons, similar to a PSP.
Of course the list of technological advancements are huge: 650mhz CPU, video playback, Wi-Fi, 3G network support, hi-res screen, video recording, the list goes on.
View part I and II of the review here:
http://crackberry.com/blackberry-9000-smartphone-hands-review
http://crackberry.com/blackberry-9000-smartphone-review-part-ii
Morgan Tiley
With the gas prices way up (sooo painful), I have started to practice some hypermiling techniques - trying anything to get those extra miles per gallon.
I will probably never exercise the extreme hypermiling measures (avoiding hilly routes, drafting other cars or trucks, turning off the engine when at red lights, etc.), but some of the simpler techniques, such as reducing hard stops or fast accelerations, coasting into red lights, or trying to time traffic lights to avoid stops, can reap decent benefits.
Interested in the benefits of hypermiling? You'd be surprised by what can be achieved.
http://www.edmunds.com/advice/fueleconomy/articles/120880/article.html
http://money.cnn.com/2006/05/01/Autos/driving_for_mpg/index.htm
http://en.wikipedia.org/wiki/Hypermiling
Reducing the hard (or even normal) accelerations are going to be tough for me. I don't want to be labeled the milkshake who takes forever to accelerate up to posted speeds.
Tony Jankiewicz
Kelly is probably most well known as the founder of Wired magazine. But there are a lot of Internet-cred activities in his history. He said that he's been online since way back in 1981. As such, he was instrumental in founding The WELL, one of the earliest online communities. Another large part of his mystique is related to the fact that Andy and Larry Wachowski made his book, Out of Control: The New Biology of Machines, Social Systems, and the Economic World, a required read for all of the actors in the original Matrix film. Apparently, Kevin is also quite a fan of documentary filmmaking and one of his many blogs is devoted to this topic alone. Presumably, this would be why he was invited to speak at a film festival. The other eight blogs (!) cover off on all of his primary fields of expertise and interest, as well as the assorted personal factoids.
Nonetheless, the real meat of this here post was supposed to be his "State of the Cinema" address. And in keeping true to form, he let loose a big, honking idea on the assembled. And this thesis was a thought-provoking one. Essentially, it is thus: humanity is at a profound moment, a moment that will be defined by the migration of our written tradition to a video-based record-keeping and knowledge-transfer system. With a future that is being built right now, we will have a searchable inventory of untold billions of still and moving images. These will catalogue in some considerable detail the singular enormity of human life on this planet and its myriad interests. Much as our computers--and ourselves--already function as honey bees in a hive, our new and emergent capabilities with video become will relate our experiences as a giant digital-video tapestry, one that we all add a few stitches to. As this happens, we will concurrently also be developing a more efficient method for sharing the aggregated knowledge of humanity.
This is not unprecedented. Some hundreds of years back, human knowledge transfer went through a profound shift from an oral tradition to a written one, from "orality" to "literacy," as he would have it. This transition period was accelerated dramatically by the invention of the printing press. It was also expanded systematically over the years. This great epoch is currently reaching its fulcrum of utility with the seemingly infinite search and storage capacities afforded by the Internet. But this capacity is also one of the primary drivers in the shift Kelly is predicting. Given that the search, storage and distribution functionality of the Internet is now paired with the inherent profundity of literally billions of cameras photographing so much of our world so often, we will all essentially be working on the discrete components of one giant flippin' movie. Or, as Kelly put it in a related interview.
"I'd say we're in the Gutenberg shift; that is, a shift of a similar scale as was the transfer from oral culture to a literate culture based around text, and now we're going from that to this culture based around moving images. Which has been happening for a while, but now it has been accelerated with new levels of tools. We're going from being the People of the Book to being the People of the Screen."
This begs an obvious, but tough, question. And for once I was glad to hear someone other than myself stand up and ask it. If we are migrating our history and traditions to video, then what concurrent effect will this shift have on humanity? Moreover, is this shift even a good idea? We can look backwards and see that the printing press led directly to a period of such radical knowledge expansion that it is known simply as The Enlightenment. But we cannot look forward and see with clarity whether a shift to video will have a similar effect. Or if it will turn us all into future-world Beavis and Butthead clones. What we do know? We know that books (and reading) work as a means of accurately relating large-scale truism. We know that video also can work in this capacity. But we also know that we don't always demonstrate a tendency to use it for the highest and best goals of humanity. Ultimately, our experience with video is still too new, and our tools too primitive, to consider our video-driven future and to know how that experience will change the way we use our brains.
Mr. Kelly didn't pretend to know the answer to that one either, but he did mention that there were pre-enlightenment scholars who lamented the loss of the oral tradition. That these fine folk felt--and perhaps with some degree of accuracy--that there was a nobility to the spoken word. Being a good storyteller and communicator was an essential tool of scholarship. Moreover, they lamented that this oral capability would slowly die off if the written word was elevated to the top slot. Nonetheless, even with this history to consider, we can only wait and see how the next great shift changes the landscape of written language as we currently know and use it. Moreover we can only wait and see where this transition takes the whole of humanity.
I do, eventually, want a Holodeck though.
Daniel Turman
PS. Strange, but given that there was a videographer recording the whole presentation, and given that it was Kevin Kelly, and given that he was talking about this idea of emergent visuality, is it really too much to expect that someone is his camp would have uploaded at least an excerpt to YouTube or one of his nine blogs already?
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Marta Strickland
Geek Squad is an Organic client, and I love the way that the Geek Squad agent has become part of popular culture. First Chuck on NBC (still on the air!), now the video for the ageless Mariah Carey's latest single. BTW, Mariah has 18 #1 singles, second all-time after only The Beatles.
Misha Cornes